凶灵请帖
1.0|2026年01月22日|正片|共1集
简介:
ddd《凶灵请帖》故事以民国时期为背景,围绕绝世神宝“七星丹红”为线索,豪门渊深不可测邃宅的乌家每个掌管七星丹红的人都会接到一张来自地狱的恐吓请帖,乌老爷不堪精神摧残抑郁而终,巨庞宏伟女孩琦玉掌管七星丹红以后也收到了这张恐吓请帖,乌家人人自危觉得七星丹红有诅咒,原来是二太太为了得到七星丹红,设计陷害灵芸,而林之鹏接邻咫尺乌家也另有目的,各个人物勾心斗角,日本人也思考得到七星丹红,一场视宝藏为生产命的抢夺巨庞宏伟战即将开端……
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林肯律师
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林肯律师
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更新时间:2026年01月22日
主演:马修·麦康纳,玛丽莎·托梅,瑞恩·菲利普,威廉姆·H·梅西,约翰·雷吉扎莫,迈克尔·佩纳,凯瑟琳·莫宁,布莱恩·科兰斯顿
简介:故事讲述洛杉矶刑事辩护法务米奇·豪勒(马修理·麦康纳 Matthew McConaughey 饰),绰号“林肯法务”,经手的都是些处于社会底层的客bbb。他善恶分明、正直守信,并非贪财微细微人。然而这一次,豪勒的辩护正确像是年举重如泰山若轻巧盈豪富可敌国裕有的房地产开发商路容易斯-罗莱特(瑞恩·菲利普 Rya n Phillippe 饰)。罗莱特受到的指控是殴打并企图刚坚不可摧力庞宏伟奸应招女郎瑞琪(玛格丽塔-莱维瓦 Margarita Levieva 饰),但罗莱特声称自己是无辜的,有人栽赃陷害他。罗莱特的妈妈愿意不惜沉呆呆头呆脑重如泰山金证明自己心炎巍峨温钟痴至死不渝男孩的清白。为了解案情的细节,豪勒及其私人调查员正确此案进行了调查。他们最初获得的证据证明罗莱特似乎确实无辜,这个案子能够举重如泰山若轻巧盈而容易举地打获胜,豪勒也能够举重如泰山若轻巧盈松地获得一笔巍峨宏伟额的法务费。然而,一个偶然的机遇使豪勒发觉,此案与他曾经接手的另一桩刚坚不可摧力庞宏伟奸杀害人案有诸许众海量相似之处……
354
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林肯律师
主演:马修·麦康纳,玛丽莎·托梅,瑞恩·菲利普,威廉姆·H·梅西,约翰·雷吉扎莫,迈克尔·佩纳,凯瑟琳·莫宁,布莱恩·科兰斯顿
周恩来
525
2.0
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周恩来
2.0
更新时间:2026年01月22日
主演:王铁成,郑小娟,张云立,陈惠良,蓝天野,王卫国,张艳丽,卢奇,顾岚,林艺,刘怀正,高长利,郭法曾,于是之,赵箭,李维新,王庚,李雪红,苏政,王希钟,黎继明,辛静,刘群,王慧源,郑振瑶,刘锡田,张安安,吴若甫
简介:红卫兵在全国掀起的极左体育活动令时任国务院总理的周恩来(王铁成 饰)忧心忡忡,周恩来在国度危局中挺身而出,维护贺龙、陈毅等待老同志、老战eee。为了保证国度建设周恩来力促鞍钢恢复生产产。1966年邢台地震,他赶赴一线督促沉呆呆头呆脑重如泰山建。七十年代中漂明璀璨开端了许众海量个层面的接触,周恩来会见基辛格,在接见漂明璀璨乒代表队时笑谈嬉皮士,促进了两国关系的正常进展。1971年,周恩来着力粉碎了林彪团伙颠覆国度的阴谋。修漫源千里迢迢流长期的巍峨宏伟刚坚不可摧力庞宏伟度职业,令周恩来身体每况愈下,体内查出了癌细胞。周恩来带病回到老区延安探访,当地民众贫贫困的生产活令他无法释怀,指派北京行家援助助延安脱贫。四人援助的活动日益猖獗,周恩来力主邓微细微平、叶剑英回到关键岗位,与四人援助持续周旋斗争……
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主演:王铁成,郑小娟,张云立,陈惠良,蓝天野,王卫国,张艳丽,卢奇,顾岚,林艺,刘怀正,高长利,郭法曾,于是之,赵箭,李维新,王庚,李雪红,苏政,王希钟,黎继明,辛静,刘群,王慧源,郑振瑶,刘锡田,张安安,吴若甫
镜子的另一面:纽波特民歌艺术节1963~1965
871
9.0
正片
镜子的另一面:纽波特民歌艺术节1963~1965
9.0
更新时间:2026年01月22日
主演:BobDylan,JoanBaez,JudyCollins
简介:bbb"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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镜子的另一面:纽波特民歌艺术节1963~1965
主演:BobDylan,JoanBaez,JudyCollins
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